I mean look at this nightmare:
(All photos (c) Dimitar Karanikolov)
Imagine living in this thing. There were plans to convert it into a prison. Honestly, it wouldn’t take much.
I can’t believe I don’t remember seeing this thing during my trip to Johannesburg in 2015.
The principal designer of Ponte was Mannie Feldman, working in a team together with Manfred Hermer and Rodney Grosskopf. Grosskopff recalled the decision to make the building circular, the first cylindrical skyscraper in Africa. At the time, Johannesburg bylaws required kitchens and bathrooms to have a window, so Grosskopff designed the building with a hollow interior, allowing light to enter the apartments from both sides. At the bottom of the immense building were retail stores and initial plans were to include an indoor ski slope on the 3,000-square-metre (32,000 sq ft) inner core floor. The building was so tall because developers wanted a large number of units but only had limited land to build on.
. . . but my goodness, what a bleak, bleary, drab, and beige execution.
People: Concrete is not attractive. I get that it’s probably cheap and easy to use. But no one wants to live in a concrete shell. No one prefers concrete to wood or brick.
Humanity isn’t meant to live in chunks of concrete.
Yet our schools and office buildings and retail shops and municipal buildings all have this distinctly prison-like aesthetic. Very Stalin-esque. It makes a guy wonder . .
We are, in part, products of our environment. Aesthetics matter. It’s not always about cheap and easy and packing them in. But I guess when you don’t care about the human soul these things aren’t taken into consideration.