Preservation

I hate the way things look.

No, I mean it. Cities and towns are really ugly.

Is it just that architecture suffered the same general decline as everything else? Are we so consumed with trying to build stuff fast and cheap in order to maximize profits? Has the advent of the automobile demanded so many changes that our landscapes and our traditional ways of gathering together have been forever shattered? Or has post-modern philosophy infiltrated even the very way we design and construct our buildings and public spaces?

Whatever the case, I’d like you to perform a simple thought exercise. Imagine various structures or areas in your city, town, or country that have been designated “historical” and thus worthy of special protection and preservation.

…what do they look like?

…when were they built?

…why do people like them so much?

And now try to imagine anything built since, let’s say, 1945, and think about whether they, too, will be worthy of historical preservation, or if civilizations of the future–God grant that they still be American!–will just raze the eyesores and build something new.

I use this as an example a lot, but ponder if you will Boston City Hall.

City Hall, Boston, Massachusetts

Look at this monstrosity!

What feelings is it supposed to elicit? What sensation is the citizen of Boston supposed to feel when he gazes upon that concrete turd?

And the whole area around it is a red, brick expanse of nothingness, appropriately enough called Government Center. Continue reading “Preservation”

Creative Process Mash-Up with NaNoWriMo

 

National Novel Writing Month is upon us again, and I’m off to a good start: 2,296 words on day one. Not bad!

This year, though, I’m trying something different. Instead of going into NaNoWriMo by the seat of my pants like I did last year–and how I approach pretty much all of my writing–I actually did an outline!

Yeah, I didn’t outline the whole story chapter-by-chapter. I got about eight chapters in. But the overall arc, the world, and the characters were game-planned beyond merely existing in my mind. This is a big step for me, because I tend to view words as concrete:

I’m one of these weird people for whom, when something is written down, it becomes permanent. It’s almost totemistic. It becomes solid. Whether it’s words or music, I find it difficult to break out of a structure once a structure is made.

Even something like an outline, as opposed to the more free-flowing structure I keep in my brain, has a way of bringing things to life and even shackling me to the structure that it creates. This is, quite frankly, ridiculous.

I mean, how hard is it to just . . . change your outline?

Not hard. At all. Continue reading “Creative Process Mash-Up with NaNoWriMo”

The Dangers of Staying “Above It All”

Is there an “artistic temperament”? Do people of only certain political stripes go into the arts more than others?

Both Brian Niemeier and Rawle Nyanzi have discussed these recently, with Brian focusing more on the traditional Right’s refusal to fight as the Left fights, with Rawle concerned more with why conservatives don’t go into the arts despite lamenting that they have no influence in the arts.

Rawle believes that the temperament is informed by politics:

Art is not immediately useful; it neither grows your food nor supplies your energy. Except for a handful of megastars, art is low-paid. Most artists rely on either a job or on other people to support them in their endeavors; “don’t quit your day job” is a cliche for a reason, as is “starving artist.” It requires the mind to break with conventional modes of thinking and spend much time speculating on bizarre possibilities. Art requires one to focus on emotion.

This is as far from the conservative mindset as one can get.

Brian, for his part, is quite harsh in his assessment of conservatives’ unwillingness to fight:

. . .conservatives are cowards. They talk a good game about standing on principle, but the inescapable conclusion is that they don’t really believe what they’re saying. People who truly believe in and are informed by principles act on them.

I’m inclined to agree with Brian, but this refers especially to a certain type of conservative. The kind that’s probably a midwit at best but wants everybody to think they’re smart, so they parrot what the culture at large tells them is the right thing to think–a culture that is against everything they purport to stand for, mind–while offering some nominal opposition.

This is yet another reason why the “conservative/liberal” dichotomy is inaccurate and outdated, and the real distinction is globalist/nationalist. Great men and women of the past who’d be considered on the Right today fully understood the importance of emotion and rhetoric. Modern “conservatism” feels artificial and soulless in a lot of respects.

But let’s stick with the terms that we have.

Does this all mean that conservatives are at, as Rawle puts it, a psychological disadvantage when it comes to the arts?

I say no. Continue reading “The Dangers of Staying “Above It All””

Feature Their Hurt

There’s this song by Frank Zappa called “Tryin’ to Grow a Chin.” One line in it,

If Simmons was here, I could feature my hurt

refers to former member of Zappa’s band, Jeff Simmons–often the butt of Zappa’s jokes–who wanted to play more of his own material so he could “feature my hurt”; that is, bare his soul in the grand, Romantic tradition of artistes like Byron and Beethoven . . . at least, in Zappa’s terminology.

Not that there’s anything wrong with conveying emotion in art. That’s one of art’s core functions, after all. And although we see ugliness, inscrutability, and contempt for the audience as an intellectual shorthand for what makes art “art,” there is also a component of giving the audience what they want. And contra the sensitive types, there is no shame in this whatsoever. Most artists actually want to make a living, after all. Luckily for them, a lot of what the audience wants is for our artists and entertainers to feature their hurt so we can reflect on it, commiserate, and hopefully work through it.

Another apropos line of the Zappa song, itself a parody of teenage angst, is the end refrain:

I wanna be dead,

In bed please kill me

‘Cause that would thrill me

It might have just been a bit of Zappa-esque off-hand humor, a throwaway line that just sounded funny (Zappa reportedly hated writing lyrics), but it actually runs deeper than you think.

Look at the word “thrill.” That’s what we get when we can “bare our soul” and “feature our hurt.”

Because you see, it’s not really about other people. It’s about us. Continue reading “Feature Their Hurt”

Must We Politics?

Must politics ruin everything?

Must politics infect even our art?

Must blog posts have bad grammar?

These thoughts came to me recently (well, maybe not the grammar one) as I witnessed author Jon Del Arroz on Twitter going back-and-forth with other authors about the seeming impossibility of keeping politics out of fiction. Jon, clearly, thinks that it is possible to write politics-free fiction, and that it is, in fact, easy to do. This is part of the impetus behind the Pulp Revolution, after all:

Just don’t write politics into it.

 

Author Jon Del Arroz
Jon Del Arroz

On the other side is the view that it’s impossible because political viewpoints form who the author is, and that such a fundamental part of the writer–or artist in general–is always going to seep through:

Politics are a part of the author, and every work is a piece of the author’s soul.

I have a problem with this second position, for four main reasons:

  1. Hypocrisy on the part of those who make this argument. These are the same people who try to tell us that, in our politicians, character doesn’t matter and that personal beliefs, whether philosophy or faith, need to be kept out of politics. Yet it’s “impossible” to separate personal values and beliefs from something with arguably far fewer consequences like art? Do we pick and choose based on some arbitrary metric? How does this even make sense?
  2. The conflation of contemporary politics with universal themes about humanity. Much of what passes as contemporary political philosophy is meaningless gibberish. Deconstruction, critical theory, tax policy, post-modernism, and the reduction of every single facet of human interaction into the oppressor/oppressed dichotomy has as much to do with the human experience and the intellectual life as your bowel movement has to do with high art (unless you’re a Dadaist, I guess, then have at it).
  3. It demonstrates a lack of skill. This one is short but sweet: a good writer can write from the perspective of anyone, and make the reader believe it…without the character sounding like a mouthpiece for the author.
  4. The conflation of politics with values. This is the big one. Values might determine what political affiliation–if any–you gravitate towards. But when we talk “values,” we usually aren’t talking “I’m a Republican!” or “I’m a Democrat!” Or at least we shouldn’t be.

I am a firm believer that one can enjoy art despite its creator’s politics. Don’t like Nazis? No one does! But just because Richard Wagner was Hitler’s favorite doesn’t mean you can’t enjoy The Nibelungenlied.

What’s that, you say? You’re not a Che-worshipping, Lenin-loving murderous Marxist? Well guess what: You can still listen to–and enjoy!–Rage Against the Machine (though those dudes will still hate you).

You get the idea.

But far more interesting is the “power lifts as values” issue. Let’s explore this a bit further. Continue reading “Must We Politics?”

The Creation Disease

In times of strife and trouble, uncertainty and violence, people seek escape. This is not weird at all. Imagination is a key that unlocks the door separating what is from what could be. And the mind is the one place that is uniquely yours.

Keeping minds active and inspired is one of the greatest things one human being can accomplish for another.

Think about the period of the Great Depression through to the end of the Second World War. America fondly remembers this era where Hollywood, using the power of talented storytellers and actors, produced films that not only bolstered America’s spirits during the war, but also its soul.

The times are reflected in art, and whole there’s a push-pull, with art often driving and normalizing certain things, very little art can be divorced from its milieu. And people create, no matter how dark things may be. Holocaust survivors and prisoners of war relate how the power to keep their imaginations from being broken by their oppressors.

And for those of us who like to create, it really is like a compulsion or a disease to do so. Whether it’s music, painting, fiction, poetry, machinery, or tinkering with cars, we couldn’t stop if we wanted to. Tough circumstances only seem to drive us further into our crafts.

I suppose this makes sense. If you feel that your days are numbered, or that there is precious little sunlight poking through the gloom, then you’ll want to get as much out of you as you can before the end comes.

Of course, this is melodramatic. Things aren’t that dire yet. Or maybe they are. Some days I really do think that the world order as we know it is coming to a violent, ugly end in a matter of weeks. Maybe it is.

See, one curse about having the creation disease is that you think of weird things all the time. That’s why you want to get them out on paper, on canvas, or tell jokes about it. A part of thinking these weird things involves being curious and making connections, extrapolating what could happen, when it could happen, and why.

We’re not always the best at game-planning what to do about it, although I may only be speaking for myself. Still, seeing a lot speculation from prominent creators whose answers tend to be “Vote the way I do!” or “Agree with me about everything or you’re evil (and stupid)!” leads me to believe that this is a common failing among the majority of creative-types.

The creation disease is not only a disease of creators, but also a disease of creation. This dark strain is present in the mainstream nihilism that is still so fashionable in much of our culture: There is no hope. Everything sucks. The impulse to “burn it all down and start over” offers precious few hopeful scenarios as to what that starting over would be like, or why it would work.

Even worse is the impulse to take something beloved, cherished, and that works, and deliberately ruin it, like an angry teenager pissing on a Rembrandt. “Watch how I totally subvert and ruin the legacy of Tolkien/Lovecraft/Shakespeare/Austen/Star Trek!”

Such edge! Such insight! Such talent! Three cheers for destruction! Continue reading “The Creation Disease”

Retro Inspiration

Video games are a part of modern culture. Whether you like it or not, they are here to stay.

I know I've written about the downsides of gaming in the past. But I've also written about the creative aspects and how, at least in my mind, they really are a type of art, particularly in the music department. But what I haven't talked about much is that, while I'm definitely a casual gamer these days, how much I love what are now called "retrogames."

Seriously. If I'm going to fire up a game, it's going to be an old NES, SNES, Genesis, or PC title from the 80s/90s. There are some PlayStation 1 and 2 games I have a fondness for, the PS2 being the last system I was really in to. I got a Wii as a gift, and do own a DS, but aside from a handful of games on each, I haven't touched them in years.

But a funny thing happened on the way to adulthood: Many of these games remain an inspiration. 

Especially in my writing.

I've made no secret that I'm an aspiring author. I'm serializing my short novel Reset, chapter-by-chapter, on this blog every Sunday, and I've shared the first chapter of my soon-to-be-published novel The Rust Man. I'm also working on a new novel as we speak, and have a previously finished one I want to clean up.

What I haven't talked too much about is my inspiration for these things. I do consider myself peripherally attached to both the Pulp Revolution and the Superversive movements, though both represent ideas that I found myself holding long before the movements came into being.

On the PulpRev side, while I haven't read that many of the Appendix N, the ideals behind the "old" stuff appeal to me, as does the sense of fun, adventure, and "anything goes," unconstrained by genre labels or conventions and served with a healthy slice of heroism and goodness.

And as far as Superversive, let's just say that I'm not a fan of nihilism. At all.

So where do video games come in? Continue reading “Retro Inspiration”